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The Pakistani film industry is finally undergoing a revolution and is emerging from the shadow of Bollywood, says Pakistani model-actress Humaima Malick, whose film "Bol", about women in a patriarchal society, has just released in India.

"I am extremely blessed to be a part of this revolution in the Pakistani film industry. Our country has witnessed many drastic changes in the film business, but thanks to some people, I can say that cinema in my country is finally taking shape," Humaima, 25, told about her film, the latest Pakistani offering to be screened for Indian audiences.

"However, we have much to learn and much to experiment. We need more daring people who can take a perilous script and test the audience," Humaima said in an email interview from Lahore.

According to Humaima, the general mindset of people in her country is also changing and one proof of that is the growing freedom of speech exercised by women.

"I cannot say that women in my country now take pleasure in freedom of speech in all walks of life, but, yes, recent times have given women a certain edge over the conventional customs.

"For instance, today models and actresses in my country do enjoy the liberty that their professions offer. But even then we all must maintain a social code of conduct and for the right reasons," said the actress.

The Pakistani film industry has been on a downhill journey since piracy took root and entertainment tax was introduced.

According to The Dawn newspaper, in the 'golden days' before the 1970s, the industry churned out more than 200 films annually and it is now producing one-fifth of that number.

The struggling film business, often referred to as Lollywood, is trying to regain its glory and the box office success of director Shaoib Mansoor's "Bol" has marked a new beginning for filmmakers who compete with Bollywood glossies.

"Bol" released June 24 in Pakistan. According to a report, the opening-day collection of the hard hitting social drama about a girl who stands up and challenges the age-old tradition of treating women as lesser beings broke the box office records made by Bollywood biggies like "My Name Is Khan" and "Ready".

"Bol" collected (Pakistani) Rs. 22,038,000 in first six days of its release, while "My Name is Khan" had earned almost Rs. 21,658,000 in a week.

After a four-decade gap, the Pakistani government in 2008 allowed Hindi films to be screened without restriction across theatres in the country.

Apart from Humaima, "Bol" also stars Atif Aslam, Mahira Khan, Shafqat Cheema, Manzar Sehbai, Zaib Rehman and Amr Kashmiri.

The actress, who has earlier been part of serials like "Akbari Asghari", "Ishq-Junoon-Deewangi" and "Barish Kay Ansoo" among others, made her silver screen debut with "Bol".

Humaima says her journey into showbiz was not a cakewalk. The actress, who was previously married to actor Shamoon Abbasi and separated from him in April 2010, have had to fight for becoming an actress.

"When your brother is a doctor and your father runs a strict household, getting into films is not a cakewalk. Initially, I had to face endless criticism, but soon with the passage of time my family started to see in my direction.

"At the premiere of my movie in Karachi, when my mother cried after the screening, I knew they couldn't be more proud of me. I am blessed to have a very encouraging family, who now supports me in all my future ventures," she said.
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Torrential rains played havoc in the country, leaving 18 dead in various incidents.

The incessant rain of three days caused destruction in interior Sindh and destroyed standing crops.

Several villages were inundated and cut off from other areas. Three killed in a roof collapsed in Shikarpur. In various accidents during rain one man each was killed in Badin, Ghotki, Nosheroferoz, Matyari, Moro and Hala.

Rain flooded many areas in Dadu district. In Badin, 400 millimetre of rain submerged many areas and land link of the district was also disconnected.
The hour long rain in Hyderabad turned the city roads into the brooks and streams.

The situation is not different in other areas of Sindh where rains have disrupted life.

Two men in Lasbela and one in Loralai districts of Balochistan were killed in rain related incident. People are starting evacuation from Nasirabad where rain has seized the cycle of life.

It is feared that lower areas in Sibbi district can be sunk if rain continues.

Two people were also reported to be dead in rain related incidents in Punjab.
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Arjun (Emraan Hashmi), an ex-cop, is hired by a Goan pimp for an unofficial assignment. Several hookers have gone missing under mysterious circumstances and Arjun has to trace their whereabouts. He finds out that all the missing girls were called by the same person. When a new girl Reshma (Sulagna) is sent as bait to catch hold of the culprit, she falls prey of the serial killer. Arjun catches hold of the killer but has to get enough evidence against him.

Murder 2 isn't designed as a suspense flick since the identity of the serial killer is revealed much early in the narrative. Also it isn't about tracing the murderer since the killer is caught in the first half itself. While the investigative drama in the film doesn't go beyond an average episode of CID TV show, it is never the focus of the film either. The film tries to play more with the abnormal characterization of the psychopath-cum-sadistic killer who enjoys every 'bit' of his butchering business. From a sadistic slasher to an amnesiac actor, Prashant Narayanan switches shades in his character like a chameleon – credibly and effortlessly.

While Mahesh Bhatt's storyline finds its roots in the 2008 South Korean flick Chugyeogja ( The Chaser) , the antagonist is kind of Indianized by giving him a eunuch identity. As bizarre as it might sound, he was a womanizer who castrated himself and now seeks revenge on female form for his self-induced impotency. Mohit Suri's direction meets the prerequisites of the genre, making it a decently crafted film. He smartly builds up the tension and anticipation that a slasher film demands, showcasing some explicit blood-and-gore sequences, but never over-exploits the potential of the relatively new genre to the Indian audience. It's a calculated risk.

























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